LIST OF EXAMPLES FOR LECTURE ON TONAL DESIGN

BY LAWRENCE I. PHELPS

TONAL DIRECTOR OF CASAVANT FRERES LIMITEE

revised as of May 1965

Item No.
1 Typical tonal design of two-manual organ in Brabant of about 1480
2 Typical composition of Blockwerk of 1480
3 Johann (von Koblenz?) Zwolle, St. Michael 1505
4 Daniel van der Distelen Antwerp, Hauptkirchekapelle 1505
5 Worms, St. Andreas Kirche 1510
6 Hendrik Niehoff Hamburg, St. Petri 1550
7 Gillis Brebos E1 Escorial, Real Monasterio 1584
8 Nicolaus Maas Straleund, St. Marien 1594
9 Nicolaus Mass Fleneburg, St. Nikolai 1608
10 Nicolaus Maas Frederiksborg Schlosskirche 1615
11 Johannes Gottschalk & Gottschalk Burkart Johanson, St.Petri, Lübeck 1591
12 Jan Langhedul Paris, St-Jacques-la-Boucherie 1588
13 Matthijs Langhedul Paris, St-Gervais 1601
14 Crespin Carlier Namur, St-Jean Baptiste 1598
15 Niclaas Bauwens Gent, St. Nikolaus 1605
16 Matthijs Langhedul Antwerp, Cathedral 1627
17 Jan Langhedul Paris, Augustine Monastery 1586
18 Guillames Langhedul Gent, St. Bavo 1590
19 Nicolas Barbier Gisors 1580
20 G. JolyIle-de-France, St. Spire 1675
21 Paris, St-Gervais 1690
22 Alexandre Thierry St-Louis des Invalides 1687
23 Robert Clicquot Rouen, Cathédrale 1689
24 François Thierry Paris, Notre-Dame 1733
25 François-Henri Clicquot Paris, St-Gervais 1768
26 François-Henri Clicquot Paris, St-Sulpice 1781
27 Hans Sherer, the elder Hamburg, St. Jacobi 1606
28 Arp Schnitger Hamburg, St. Jacobi 1592
29 Heinrich Compenius Magdeburg, Cathedral 1604
30 Heinrich Compenius Halle, St. Moritz 1624
31 Kröger Wismar, St. Georgen 1613
32 Anon. Langwarden1629
33 Kröger Boizenburg, Parish Church 1641
34 Jacob Scherer and others Lübeck, Marienkirche, time of Buxtehude
35 Arp Schnitger Hamburg, St. Nicolai, time of Lübeck
36 Arp Schnitger Ganderkesee 1699
37 Arp Schnitger Pellworm 1711
38 Arp Schritger Steinkirchen
39 Arp Schnitger Neuenfelde 1688
40 Arp Schnitger Lüdingworth
41 Arp Schnitger Norden 1688
42 Hans Heinrich Cahman Uppsalla, Cathedral 1698
43 Lambert Daniel Kastens København, Holmens Kirke 1740
44 Andreas SilbermannOutline of Tonal Design System
45 Eugen Casparini Görlitz, St. Peter und Paul 1703
46 Gottfried SilbermannFreiberg, Domkirche 1710
47 Gottfried Silbermann Dresden, Hofkirche 1754
48 Gottfried Silbermann Comparison of five two-manual organs 1718- 1741
49 Johann Gottfried Hildebrand Hamburg, St. Michael 1768
50 Johann Neopmuk Holzbey Ulm, Monastery in Neresheim 1792
51 Abbé Georg Joseph Vogler München, St. Peters 1800
52 Friedrich Ladegast Braunschweig, St. Andreas Kirche 1883
53 Wilhelm Sauer Leipzig, Peterskirche 1889
54 Frankfurt a.M., Peterskirche 1895
55 Berlin 1909
56 Ohio 1915
57 Aristide Cavaillé-Coll Paris, St-Denis 1841
58 Aristide Cavaille-coll Paris, St-Sulpice 1862
59 Aristide Cavaillé-Coll Paris, Notre-Dame 1868
60 Aristide Cavaillé-Coll Paris, Eglise de la Madeleine 1846
61 Aristide Cavaillé-Coll Paris, Eglise de Ste-Clothilde
62 Modern French Romantic Organ (smallest comprehensive design) 56 stops
63 Modern French Romantic Organ (complete comprehensive design) 74 stops
64 Modern French Romantic Organ (monumental design) 110 stops
65 Modern French Classic Organ (complete comprehensive design) 38 stops
66 Modern Werk Principle Organ (smallest practical design) 7 stops
67 Modern Werk Principle Organ (smallest design of reasonable scope) 10 stops
68 Modern Werk Principle Organ (smallest comprehensive 2-manual design)15 stops
69 Modern Werk Principle Organ (complete two-manual design) 23 stops
70 Modern Werk Principle Organ (maximum two-manual design) 39 stops
71 Modern Werk Principle Organ (smallest practical three-manual design)23 stops
72Modern Werk Principle Organ (moderate three-manual design) 32 stops
73 Modern Werk Principle Organ (large three-manual design) 44 stops
74 American Classic Organ - Original Type (four manual divisions) 67 stops
75 American Classic Organ - Modern Type (three manual divisions) 50 stops
76 American Classic Organ - Modern Type (four manual divisions) 47 stops
77 American Classic Organ - Modern Type (large four-manual design) 63 stops

Item No. 1 Typical two-manual organ in low countries of about 1480 HAUPTWERK RÜCKPOSITIV PEDAL 16' Blockwerk X - XX 8' Hohlpfeife 32' Bourdon (open) 4' Mixtur V - X 16' Blockwerk 2' Scharff V - X (Hauptwerk coupled)
Item No. 2 Typical composition of Blockwerk from 1480 No. of ranks: VIII-16,8, 4, 2 2/3, 2,2, 1 1/3,1 1/3-F to c#1 XI -16,8, 4,4, 2 2/3,2 2/3, 2,2,2,1 1/3,1 1/3-d1 to e1 XII -16,8, 5 1/3, 4,4, 2 2/3,2 273, 2,2,2,1 1/3,1 1/3-f1 XIII-16,8, 5 1/3, 4,4, 2 2/3,2 2/3, 2,2,2,1 1/3,1 1/3-f#1 XIV -16,8,8, 5 1/3, 4,4,2 2/3,2 2/3,2 2/3,2,2,2,1 1/3,1 1/3-g1 to c2 XVI -16,8,8,8,5 1/3, 4,4,4,2 2/3,2 2/3,2 2/3,2,2,2,1 1/3,1 1/3-c#2to d#2 XVII-16,8,8,8,5 1/3,5 1/3,4,4,4,2 2/3,2 2/3,2 2/3,2,2,2,1 1/3,1 1/3-e2 to a2
Item No. 3 Item No. 4 ZWOLLE, ST. MICHAEL ANTWERP, HAUPTKIRCHEKAPELLE Johann (von Koblenz?)-1505 Daniel van der Distelen - 1505 HAUPTWERK HAUPTWERK 8' Prinzipal II (lst rank open, 16' Blockwerk XXXII or XXXIV 4' Oktave 2nd stopped) 4' Flöte Mixtur Scharf RÜCKPOSITIV RÜCKPOSITIV 4' Prinzipal 4' Flöte 8' Hohlpfeife Mixtur 3' Prinzipal Scharf Scharff 8' Zink Zungestimme (Harfe or Schalmei) 4' Regal BRUSTWERK OBERWERK Zimbel 8' Trompete 8' Prinzipal 8' Krummhorn 4' Oktave PEDAL Scharf Stimme (Oktave 2'?) 8' Hohlpfeife with Rückpositiv Grosse Zimbel (adjustable to 4' Flöte one register: Mixtur, or two registers: Mixtur and Scharf) 8' Hohlpfeife 4' Mixtur with Brustwerk PEDAL Scharf Coupled to Blockwerk Coupled to Hauptwerk
Item No. 5 WORMS, ST. ANDREAS KIRCHE - 1510 MANUAL PEDAL 8' Grosse Hohlflöte 8' Prinzipal 4' Prinzipal 4' Oktave 4' Klein Hohlflöte Mixtur 2' Oktave 1 1/3' Quinte Tremulant Mixtur Trommel Zimbel 8' Trompete 8' Rausswerk (Regal)
Item No. 6 HAMBURG, St. PETRI Hendrik Niehoff - 1550 HAUPTWERK OBERWERK 16' Grossmixtur (Blockwerk) 8' Prinzipal 8' Gedackt RÜCKPOSITIV 4' Flöte 8' Prinzipal 2' Gemshorn 8' Quintadena 1 1/3' Sifflöte 4' Oktave Rauschende Zimbel 4' Gedackt 8' Trompete 1' Sifflöte 8' Zink Mixtur Scharf PEDAL 8' Krummhorn 32' Prinzipal 8' Bärpfeife 16' Gedackt 8' Regal 8' Superoktave 4' Schalmei 5 1/3' Quinte 4' Rauschpfeife II 2' Mixtur II 16' Krummhorn 8' Trompete
Item No. 7 EL ESCORIAL, REAL MONASTERIO, CORO DEL PRIOR Gillis Brebos - 1584 HAUPTWERK BRUSTWERK PEDAL 16' Prinzipal 8' Hohlpfeife 16' Prinzipal 16' Bordun 8' Quintadena 16' Bordun 8' Prinzipal 4' Oktave 8' Prinzipal 8' Hohlpfeife 4' Gedacktflöte 4' Oktave 5 1/3' Quintpraestant 2 2/3' Quinte Mixtur 4' Oktave 2' Oktave 16' Krummhorn 4' Offenflöte 1' Sifflöte 8' Trompete 2 2/3' Nasat Mixtur 4' Schalmei 1 1/3' Offenquinte Scharf Mixtur X 8' Dulcian Scharf X 8' Krummhorn 2 tremulants TerzzimbeI - III 8' Zink Trommel 16' Posaune Nachtigall 8' Trompete 4' Schalmei
Item No. 8 STRALSUND, ST. MARIEN Nicolaus Maas - 1594 HAUPTWERK BRUSTWERK RÜCKPOSITIV PEDAL 16' Prinzipal 8' Querpfeife (diskant) 8' Prinzipal 16' Untersatz 16' Quintadena 4' Prinzipal 8' Gedackt 8' Prinzipal 8' Oktave 4' Gedackt 8' Quintadena 8' Gedacktbass 8' Grossgedackt 2' Nasat 4' Oktave 4' Oktavbass 8' Spillpfeife 2' Sifflöte 4' Hohlflöte 4' Quintadenbass 8' Tolkaan 1' Schweizerflöte 2' Spillpfeife 2' Nachthorn 4' Oktave Mixtur Mixtur 1' Bauerflöte 3' Quinte Zimbel Zimbel Zimbel II Mixtur XII 8' Krummhorn 8' Trompete 16' Posaunenbass Zimbel III 8' Regal 8' Fagott 8' Trompetenbass 4' Geigend Regal 4' Schnarrwerk 4' Cornettbass
Item No. 9 FLENSBURG, ST. NIKOLAI Nicolaus Maas - 1608 (organ rebuilt by Arp Schnitger - 1708) HAUPTWERK BRUSTWERK RÜCKPOSITIV PEDAL 16' Prinzipal 8' Gedackt 8' Prinzipal 16' Untersatz 16' Quintadena 4' Waldflöte 8' Gedackt 8' Pompembass 8' Oktave 2' Sifflöte 8' Blockflöte 8' Gedacktbass 8' Tolkaan 2' Messingregal 4' Oktave 4' Oktavbass 8' Gedackt 4' Querflöte 4' Gemshornbass 4' Oktave 4' Koppelflöte 4' Quintatönbass 4' Hohlflöte 2' Superoktave 2' Bauerflötenbass 4' Gemshorn Zimbel III Zimbelbass III 2' Superoktave 8' Zink (diskant) 16' Posaunenbass Mixtur V 4' Gengend Regal 8' Trompetenbass Zimbel III 4' Schalmeibass 8' Trompete 2' Kornettbass
Item No. 10 FREDERICKSBORG, SCHLOSSKIRCHE Nicolaus Maas - 1615 OBERWERK RÜCKPOSITIV PEDAL 16' Prinzipal 8' Prinzipal 16' Untersatz 8' Oktave 8' Gedackt 8' Oktave 8' Spitzflöte 4' Oktave 8' Gedackt 8' Quintadena 4' Quintadena 8' Quintadena 4' Oktave 2' Superoktave 4' Oktave 4' Querflöte Scharf III 16' Posaune 4' Spitzflöte 8' Trompete 8' Trompete 2' Superoktave 2' Regal 4' Schalmei 1 1/3' Gemshornquinte Mixtur VI Zimbel III 8' Bärpfeife Tremulant
Item No. 11 LÜBECK, ST. PETRI Johannes Gottschalk and Gottschalk Burkart Johanson - 1591 HAUPTWERK RÜCKPOSITIV BRUSTWERK PEDAL 32' Bordun 8' Principal 8' Gedackt 32' Principal 16' Principal 8' Quintadena 4' Offenflöte 16' Blockflöte 8' Gross Octave 8' Gedackt 4' Quintadena 16' Gedacktbass 8' Gedackt 4' Octave 2' Sedecima 10 2/3' Decembass 8' Spillpipe 4' Querpipe 1' Sifelit 8' Superoctave 4' Klein Octave 4' Blockflöte Scharff Regal Mixtur 4' Klein Spillpipe 2' Superoctave Harffen Regal 16' Posaune 2 2/3' Rauschquinte II 2' Feldpipe Geigen Regal 16' Dusanbass 2' Superoctave 2' Gemshorn 8' Cornettbass Mixtur Mixtur 4' Schalmeyenbass Scharffzimbel Cimbel 16' Feldtrommeten 8' Trommeten 16' Dulzian 8' Bärpipen 8' Krumbhorner
Item No. 12 PARIS, ST-JACQUES-LA-BOUCHERIE Jan Langhedul - 1588 GRAND ORGUE PEDALE 8' Montre 8' Flûte de bois 8' Bourdon 4' Prestant 4' Flûte à neuf trous 2 2/3' Nazard 2' Flûte traversine Tremblant 1' Flageolet Fourniture V Cymbale III Cornet IV - V - VI 8' Trompete 4' Clairon
Item No. 13 PARIS, ST-GERVAIS Mathijs Langhedul - 1601 GRAND ORGUE (45 notes) POSITIF (45 notes) 16' Montre 8' Bourdon 8' Montre 4' Montre 8' Bourdon 2' Doublette 4' Flûte ouverte 1' Flageolet 4' Flûte bouchée Fourniture III 2' Doublette Cymbale III 2' Flûte à neuf trous 8' Cromorne 2 2/3' Nazard 1' Flageolet PEDALE (9 notes) Fourniture III Cymbale III 8' Flûte Cornet V (25 notes) 8' Trompette Fixed coupler to 4' Clairon Grand Orgue
Item No. 14 Item No. 15 NAMUR, ST-JEAN BAPTISTE GENT, ST. NIKOLAUS Crespin Carlier - 1598 Niclaas Bauwens - 1605 HAUPTWERK 16' Bordun 8' Bourdon 8' Prinzipal 4' Prestant 4' Oktave 4' Flûte 2 2/3' Quinte 4' Quintaton 2' Superoktave 2' Doublette 1' Sifflöte 2' Flûte Mixtur 1 1/3' Quintflöte Scharf 1' Sifflöte Kornett (Deutsches Horn) Cornet d'Allemagne 8' Trompete Fourniture 4' Klarine Cymbale II - III Tremulant 8' Trompette 8' Voix Humaine RÜCKPOSITIV 4' Clairon 8' Hohlpfeife 4' Prinzipal 4' Flöte 2 2/3' Nasat 2' Oktave 2' Klein Flöte 1' Sifflöte Mixtur Scharf Terzzimbel 8' Krummhorn 8' Regal
Item No. 16 Item No. 17 ANTWERP, CATHEDRAL, PARIS, AUGUSTINE MONASTERY BROTHERS OF THE HOLY SACRAMENT Jan Langhedul - 1586 Matthijs Langhedul - 1627 GRAND ORGUE 8' Montre 8' Hohlpfeife 8' Bourdon 4' Prinzipal 4' Prestant 4' Flöte 1 1/3' Nazard 2 2/3' Nasat 1' Flageolet 2' Superoktave Fourniture 1 3/5' Terz Cymbale Kornett (diskant) 8' Trompette Mixtur 4' Clairon 8' Trompete (diskant) 4' Schalmei (bass) POSITIF Nachtigall 8' Bourdon Trommel 4' Prestant Harfe 4' Flûte Fourniture 8' Cromorne ECHO Cornet VI PEDALE Saqueboute
Item No. 18 Item No. 19 GENT, ST. BAVO GISORS Guillames Langhedul - 1590 Nicolas Barbier - 1580 HAUPTWERK GRAND ORGUE 16' Bordun 16' Montre 8' Prinzipal 8' Montre 8' Hohlpfelfe 8' Bourdon 4' Oktave 4' Prestant 4' Gedeckte Flöte 4' Flûte 2 2/3' Nasat 2 2/3' Nazardquinte 2' Gedeckte Querflöte 2' Doublette 1' Sifflöte 1 1/3' Quintflûte Mixtur Fourniture IV Scharf Cymbale III 8' Trompete Cornet 4' Schalmei 8' Trompette 4' Regal 8' Voix Humaine 4' Clairon RÜCKPOSITIV POSITIF 8' Quintadena 4' Prinzipal 8' Bourdon 2' Gedeckte Flöte 4' Bourdon 1' Gemshorn 2' Doublette Mixtur 1 1/3' Larigot Scharf Cimbale II 8' Krummhorn 8' Cromorne RECIT PEDALE Kornett IV 8' Montre 8' Saqueboute
Item No. 20 Item No. 21 ILE-DE-FRANCE, CORBEIL, ST-SPIRE PARIS, ST-GERVAIS - 1690 G. Joly - 1675 GRAND ORGUE GRAND ORGUE 16' Montre 16' Bourdon 16' Bourdon 8' Montre 8' Montre 8' Bourdon 8' Bourdon 4' Prestant 4' Prestant 4' Flûte 4' Flûte 2 2/3' Nazard 2 2/3' Nazard 2' Doublette 2' Doublette 2' Quarte de Nazard 2' Quarte 1 3/5' Tierce 1 3/5' Tierce 1' Flageolet Fourniture IV Fourniture IV Cymbale III Cymbale III Cornet V Cornet V 8' Trompette 8' Trompette 8' Voix Humaine 8' Voix Humaine 4' Clairon 4' Clairon POSITIF POSITIF 8' Bourdon 8' Bourdon 4' Montre 4' Montre 4' Flûte 2 2/3' Nazard 2 2/3' Nazard 2' Doublette 2' Doublette 1 1/3' Larigot 1 3/5' Tierce Fourniture III 1 1/3' Larigot Cymbale II Fourniture III 8' Cromorne Cymbale II 8' Cromorne ECHO CORNET SEPARE Cornet V 8' Voix Humaine Cornet V PEDALE ECHO 8' Flûte 8' Bourdon 8' Trompette 4' Flûte 2 2/3' Nazard 2' Doublette 1 3/5' Tierce Cymbale III 8' Cromorne PEDALE 8' Flûte 4' Flûte 8' Trompette
TWO FRENCH TONAL DESIGNS OF ABOUT 1690 COMPARED
Item No. 22 Item No. 23 PARIS, ST-LOUIS DES INVALIDES ROUEN, CATHEDRALE Alexandre Thierry - 1687 Robert Clicquot - 1689 GRAND ORGUE GRAND ORGUE 16' Montre 16' Montre 16' Bourdon 16' Bourdon 8' Montre 8' Montre 8' Bourdon 8' Bourdon 4' Prestant 4' Prestant 4' Dessus de Flûte 4' Flûte 3 1/5' Grosse Tierce 3 1/5' Tierce 2 2/3' Nazard 2 2/3' Nazard 2' Doublette 2' Doublette 2' Quarte 2' Quarte de Nazard 2' Flûte 1 3/5' Tierce 1 3/5' Tierce 1' Flageolet Cornet V Grand Cornet V Fourniture V Fourniture V Cymbale V Cymbale 8' Trompette 8' Trompette 8' Cromorne 8' Voix Humaine 8' Voix Humaine 4' Clairon 4' Clairon POSITIF POSITIF 8' Montre 8' Montre 8' Bourdon 8' Bourdon 4' Prestant 4' Prestant 4' Flûte 4' Flûte 2 2/3' Nazard 2 2/3' Nazard 2' Doublette 2' Doublette 1 3/5' Tierce 1 3/5' Tierce 1 1/3' Larigot 1 1/3' Larigot Fourniture IV Fourniture IV Cymbale III Cymbale III 8' Cromorne 8' Cromorne 8' Petite Voix Humaine 8' Voix Humaine RECIT RECIT Cornet V Cornet III 8' Petite Trompette 8' Trompette ECHO ECHO 8' Bourdon Cornet IV Cornet III Cymbale III Cymbale IV 8' Cromorne 8' Voix Humaine PEDALE PEDALE 16' Flûte 8' Flûte 8' Flûte 4' Flûte 8' Trompette 8' Trompette 4' Clairon
Item No. 24 Item No. 25 PARIS, CATHEDRALE NOTRE-DAME DE PARIS PARIS, ST-GERVAIS François Thierry - 1733 François-Henri Clicquot - 1768 GRAND ORGUE GRAND ORGUE 32' Montre 16' Montre 16' Montre 16' Bourdon 16' Bourdon 8' Montre 8' Montre 8' Bourdon 8' Bourdon 8' Flûte 8' Flûte 4' Prestant 5 1/3' Double Nazard 2 2/3' Nazard 4' Prestant 2' Doublette 3 1/5' Grosse Tierce 2' Quarte de Nazard 2 2/3' Nazard 1 3/5' Tierce 2' Doublette Grand Cornet V 2' Quarte de Nazard Plein Jeu VI 1 3/5' Tierce 8' 1ère Trompette Cornet V 8' 2ième Trompette Fourniture XVI 8' Voix Humaine Cymbale 4' Clairon 8' 1ère Trompette 8' 2ième Trompette POSITIF 8' Voix Humaine 4' Clairon 8' Flûte 8' Bourdon POSITIF 4' Prestant 2 2/3' Nazard 8' Montre 2' Doublette 8' Bourdon 1 3/5' Tierce 4' Prestant Plein Jeu V 4' Flûte 8' Trompette 2 2/3' Nazard 8' Cromorne 2' Doublette 8' Basson-clarinette 2' Quarte de Nazard 4' Clairon 1 3/5' Tierce Cornet V BOMBARDE Fourniture Cymbale 16' Bombarde 8' Trompette 8' Cromorne RECIT 4' Clairon Cornet III BOMBARDE 8' Hautbois 16' Bombarde RECIT ECHO Cornet V 8' Trompette 8' Flûte d'écho 8' Trompette ECHO Cornet V PEDALE PEDALE 16' Flûte 8' 1ère 8' Flûte 8' 2ième Flûte 4' Flûte 4' 1ère Flûte 16' Bombarde 4' 2ième Flûte 8' Trompette 16' Bombarde 4' Clairon 8' Trompette 4' Clairon 2 Tremolos
Item No. 26 PARIS, ST-SULPICE François-Henri Clicquot - 1781 GRAND ORGUE POSITIF 32' Montre 16' Bourdon 16' Montre 8' Montre 16' Bourdon 8' Bourdon 8' Montre 8' Flûte 8' Bourdon 4' Prestant 8' Flûte 2 2/3' Nazard 5 1/3' Grand Nazard 2' Doublette 4' Prestant 2' Quarte de Nazard 3 1/5' Grande Tierce 1 3/5' Tierce 2 2/3' Nazard 1 1/3' Larigot 2' Doublette Cornet V 2' Quarte de Nazard Fourniture IV 1 3/5' Tierce Cymbale V Grand Cornet V 8' Trompette Grande Fourniture VI 8' Cromorne Cymbale IV 8' Basson 8' 1ère Trompette 8' Clarinette 8' 2ième Trompette 4' Clairon 8' Voix Humaine 4' 1er Clairon 4' 2ième Clairon BOMBARDE PEDALE Grand Cornet VII 16' 1er jeu ouvert 16' Bombarde 16' Bourdon 8' Trompette 8' Flûte 4' Clairon 8' 2ième jeu ouvert 5 1/3' Grand Nazard RECIT 4' Quatre pieds 16' 1ère Bombarde 8' Flûte de Récit 16' 2ième Bombarde Cornet IV 8' 1ère Trompette 8' Trompette 8' 2ième Trompette 8' Hautbois 4' Clairon ECHO 8' Flûte 8' Bourdon Cornet III 8' Trompette 8' Clairon
Item No. 27 HAMBURG, ST. JACOBI Hans Sherer, the elder - 1606 HAUPTWERK RÜCKPOSITIV OBERWERK 16' Principal 8' Principal 8' Principal 16' Quintadehn 8' Gedackt 8' Holpipe 8' Octava 8' Quintadehn 4' Flöite 8' Holpipe 4' Octava 4' Querflöte 8' Querpipe 4' Holflöit 2 2/3' Nasatt 4' Holflöit 4' Blockflöit 2' Gembshorn Russpipe II 2' Gemshorn 2' Kleinflöte Mixtur 1' Ziflöte Klingende Zimbel III Scharp Klingende Zimbel Mixtur 8' Trompette Scharp 8' Regal 8' Baarpfeife 8' Zincke 8' Regal 8' Krumbhorn 4' Schalmeyen BRUSTWERK PEDAL 4' Spitzflöte 32' Principal 2 2/3' Quintflöte 16' Principal 2' Waltflöit 16' Gross Bass 8' Krumbhorn 10 2/3' Mixtur 4' Octava 4' Spillpipe 2' Gembshorn 1 1/3' Spitzquinte Mixtur Zimbel 16' Bassaune 16' Krumbhorn 8' Trommete 2' Cornett
Item No. 28 HAMBURG, ST. JACOBI Arp Schnitger - 1692 RÜCKPOSITIV OBERWERK HAUPTWERK 8' Principal 8' Principal 16' Principal 8' Quintadena 8' Holzflöte 16' Quintadena 8' Gedackt 8' Rohrflöte 8' Octave 4' Octave 4' Octave 8' Spitzflöte 4' Flöte 4' Rohrflöte 8' Gedackt 4' Querflöte 4' Spitzflöte 4' Octave 2' Blockflöte 2 2/3' Nasat 4' Rohrflöte 1 1/3' Sifflet 2' Octave 2' Superoctav Sesquialtera II 2' Gemshorn 2' Blockflöte Scharff VI - VIII Mixtur IV - VI Rauschpfeife II 16' Dulcian Zimbel Mixtur VI 8' Bärpfeife 8' Trompete 16' Trompete 4' Schalmey 8' Krummhorn 4' Trompete BRUSTWERK PEDAL 8' Principal 32' Gross Principal 4' Octave 16' Principal 4' Hohlflöte 16' Subbas 2' Waldflöte 8' Octave Sesquialtera II 4' Octave Scharff V 2' Nachthorn 8' Dulcian Rauschpfeife II 8' Trichter Regal Mixtur VI 32' Posaune 16' Posaune 16' Dulcian 8' Trompete 4' Trompete 2' Cornett
Item No. 29 MAGDEBURG, CATHEDRAL Heinrich Compenius - 1604 HAUPTWERK BRUSTWERK 16' Principal 4' Flachflöte 16' Quintadehn 2' Principal 8' Grosse Octava Mixtur VI 8' Gross Gedackt Zimbel II 5 1/3' Grosse Quinte 8' Gross Regal 4' Klein Octava 4' Singend Regal 4' Nachthorn 4' Klein Gedackt 2 2/3' Kleine Quinte 2 2/3' Nasatt Mixtur XII - XV Zimbel III RÜCKPOSITIV PEDAL 8' Principal 32' Untersatz 8' Quintadehn 16' Quintadehn 4' Octave 16' Principal 4' Rohrflöte 16' Gedacktbass 4' Schwiegel 8' Gemshorn 4' Gemshorn 8' Octava 2 2/3' Quinta 4' Nachthorn 2 2/3' Gedackt Quinta 1' Bawrflöit 2' Suiflöit Zimbel III 2' Klein Gedackt 16' Posaune Mixtur III 8' Klein Posaune Zimbel II 4' Schalmey 16' Dulcian 2' Singend Cornett 8' Trommeten
Item No. 30 HALLE, ST. MORITZ Henirich Compenius - 1624 (organist: Samuel Scheidt) HAUPTWERK RÜCKPOSITIV PEDAL 16' Quintadena 8' Gedackt 16' Offenflöte 8' Principal 8' Quintadena 8' Octave 8' Gedackt 4' Principal 4' Octave 4' Octave 4' Gedacktflöte 1' Spitzflöte 4' Gedacktflöte 2' Octave 16' Posaune 2 2/3' Nasat 2' Gemshorn 2' Cornett 2' Octave 1 1/3' Sifflöte Mixtur III 1' Spitzflöte 8' Trompete Mixtur III 8' Krummhorn 4' Schalmei
Item No. 31 WISMAR, ST, GEORGEN Kröger - 1613 HAUPTWERK RÜCKPOSITIV 16' Prinzipal 16' Quintatön 16' Bordun 8' Prinzipal 8' Octave 8' Quintatön 8' Gedackt 4' Octave 8' Spielpfeif 4' Blockflöte 4' Octave 3' Gemshorn 3' Scharfe Quinte 2' Super Octav 2' Super Octave 2' Sifflöte Mixtur VII - VIII 1 1/2' Spitzquinte 8' Trompete Sesquialtera Mixtur V Cimbel III 8' Schallmey 8' Vox Humana BRUSTWERK PEDAL 8' Gedackt 16' Prinzipal 4' Octave 16' Untersatz 4' Gedakt 8' Gedakt 2' Spielflöt 4' Octave 1' Octave 1' Octave Mixtur IV 16' Posaune 8' Schallmey 16' Dulcian 8' Sordun 8' Trompete 4' Regal 4' Schallmey 2' Cornett (The two 16' registers of the Hauptwerk are borrowed into the Pedal)
Item No. 32 LANGWARDEN Anon. - 1629 HAUPTWERK BRUSTWERK PEDAL 8' Gedackt 8' Gedackt 16' Untersatz 8' Quintade 4' Schweizerpfeife 8' Praestant 4' Praestant 4' Blockflöte 4' Oktave 4' Spitzflöte 2' Oktave Mixtur IV 2 2/3' Scharfquinte Zimbel 16' Posaune 2' Oktave 8' Krummhorn 2' Cornett 1 1/3' Nasatquint Mixtur IV - VI 8' Trompete
Item No. 33 BOIZENBURG, PARISH CHURCH Kröger - 1641 DAS WERCK DAS RÜCKPOSITIV 16' Grossprincipal 8' Gedact 8' Principal 4' Principal 8' Spilpipe 4' Querflöit 8' Quintadin 4' Blockflöt 4' Octave 2' Soperoctave 4' Floite 2' Waldhorn 3' Rusquinte 1' Zifflidt 2' Super Octave Mixtur III Mixtur VI 8' Trumeta Zimbel III 8' Krumbhorn DAS OBERPOSITIV DAS PEDAL 8' Gedact 16' Principal 4' Quintadin 8' Gedact 3' Spitzquinte 4' Octave 2' Octave 4' Nachthorn Zimbel II 1' Decem Bass 8' Sortun Mixtur IV 4' Schallmey 16' Bassune 8' Trummete 8' Dulcian 2' Cornett
Item No. 34 LÜBECK, MARIENKIRCHE Jacob Scherer and others - Disposition at the time of Buxtehude HAUPTWERK STUHLPOSITIV 16' Principal 16' Bordun 8' Quintadena 8' Principal 8' Octave 8' Rohrflöte 8' Spitzflöte 8' Quintatön 4' Octave 4' Octave 4' Rohrflöte 4' Blockflöte 2 2/3' Nasat 2' Spillflöte Rauschpfeife II Sesquialtera II Mixtur X - XV Mixtur V Scharff IV Scharff IV - V 16' Trompete 16' Dulcian 8' Trompete 8' Trichterregal 8' Zinck 8' Bärpfeife 8' Vox Humana BRUSTWERK PEDAL 8' Principal 32' Principal 8' Gedackt 16' Octave 4' Octave 16' Subbass 4' Rohrflöte 8' Octave 2' Nachthorn 8' Gedackt 2' Schweitserpfeife 4' Octave 1 1/3' Sifflöte 2' Nachthorn Sesquialtera II 1' Bauernflöte Mixtur VI - VIII Mixtur VI Zimbel III 32' Posaune 8' Krummhorn 16' Posaune 8' Regal 16' Dulcian 8' Trompete 8' Krummhorn 2' Cornett
Item No. 35 HAMBURG, ST. NICOLAI Arp Schnitger - Organist: Vincent Lübeck HAUPTWERK RÜCKPOSITIV BRUSTWERK 16' Principal 16' Bordun 8' Blockflöte 16' Quintadena 8' Principal 4' Principal 16' Rohrflöte 8' Quintadena 4' Rohrflöte 8' Octave 8' Gedackt 2 2/3' Nasat 8' Spitzflöte 4' Octave 2' Waldflöte 8' Salicional 4' Blockflöte 1 1/3' Quinte 5 1/3' Quinte 2' Querflöte Mixtur IV - VI 4' Octave 1 1/3' Sifflöte 8' Dulcian 2' Octave Sesquialtera II 8' Bärpfeife 2' Flachflöte Mixtur VII - IX Rauschpfeife II 16' Dulcian Mixtur IX - X 8' Trichterregal Scharff III 4' Schalmei 16' Trompete OBERWERK PEDAL 8' Principal 32' Principal 8' Quintadena 16' Octave 8' Hohlflöte 8' Octave 8' Rohrflöte 5 1/3' Quinte 4' Octave 4' Octave 4' Spillflöte 2' Nachthorn 2 2/3' Nasat Rauschpfeife III 2' Nachthorn Mixtur X Mixtur VI 32' Posaune Zimbel III 16' Posaune 8' Trompete 16' Dulcian 8' Vox Humana 8' Trompete 4' Trompete 8' Krummhorn 4' Trompete 2' Cornett
Item No. 36 GANDERKESEE Arp Schnitger - 1699 HAUPTWERK BRUSTWERK PEDAL (of later date) 16' Quintadena 8' Gedackt 8' Prinzipal 4' Blockflöte 16' Subbass 8' Rohrflöte 2' Spitzflöte 8' Prinzipal 4' Oktave 1 1/3' Sifflöte 4' Oktave 2 2/3' Quinte Scharff III Mixtur IV 2' Oktave 8' Krummhorn 16' Posaune Sesquialtera II 2' Singend Cornett Mixtur IV - VI Cymbel III 8' Trompete
Item No. 37 PELLWORM Arp Schnitger - 1711 OBERWERK BRUSTWERK PEDAL 8' Prinzipal 8' Gedackt 16' Quintade 8' Gedackt 4' Waldflöte 8' Prinzipal 4' Oktave 2' Oktave 4' Oktave 4' Spitzflöte 2' Gemshorn 2' Nachthorn 2 2/3' Nasat Sesquialtera Mixtur VI 2' Oktave Scharff IV 16' Posaune Rauschpfeife 8' Dulcian 8' Trompete Mixtur V - VI 2' Cornett 8' Trompete
Item No. 38 STEINKIRCHEN Arp Schnitger HAUPTWERK OBERWERK PEDAL 16' Quintatön 8' Gedackt 16' Principal 8' Principal 4' Rohrflöte 8' Octave 8' Rohrflöte 2 2/3' Quinte 4' Octave 4' Octave 2' Octave 5 1/3' Quinte 2 2/3' Nasat 2' Spitzflöte 2' Octave 2' Octave Terzian II Rauschpfeife II 2' Gemshorn Scharff III - V 16' Posaune Sesquialtera II 8' Krummhorn 8' Trompete Mixtur IV - VI 2' Cornet Cimbel III 8' Trompete
Item No. 39 NEUENFELDE Arp Schnitger - 1688 HAUPTWERK RÜCKPOSITIV PEDAL 16' Quintatön 8' Gedackt 16' Principal 8' Principal 8' Quintatön 8' Octave 8' Rohrflöte 4' Principal 4' Octave 4' Octave 4' Blockflöte 4' Flöte 4' Spitzflöte 2 2/3' Quintflöte 2' Nachthorn 2 2/3' Nasat 2' Octave Rauschpfeife II 2' Octave 1 1/3' Sifflöte Mixtur V 2' Spitzflöte Sesquialtera II 16' Posaune Rauschpfeife II Terzian II 8' Trompete Mixtur V - VI Scharff IV - V 2' Cornett Cimbel III 8' Krummhorn 8' Trompete 8' Vox Humana
Item No. 40 LÜDINGWORTH Arp Schnitger HAUPTWERK RÜCKPOSITIV BRUSTWERK 16' Quintatön 8' Gedackt 8' Hohlflöte 8' Principal 4' Principal 4' Flöte 8' Rohrflöte 4' Spillflöte 2' Octave 4' Octave 2' Waldflöte Mixtur IV 4' Rohrflöte 2' Octave 8' Regal 2 2/3' Nasat 1 1/3' Sifflöte 2' Octave Sesquialtera II Rauschpfeife II Terzian II PEDAL Mixtur VI Mixtur IV - VI Cimbel III 8' Vox Humana 16' Gedackt 8' Principal 8' Trompete 4' Octave 2' Nachthorn Rauschquinte II Mixtur V - VI 16' Posaune 8' Trompete 2' Cornet
Item No. 41 NORDEN Arp Schnitger - 1688 HAUPTWERK RÜCKPOSITIV OBERWERK 16' Quintaden 8' Principal 8' Hohlflöte 8' Prinzipal 8' Gedackt 4' Oktave 8' Rohrflöte 4' Oktave 2' Flachflöte 4' Oktave 4' Flöte (ged.) Rauschpfeife II 4' Spitzflöte 2' Oktave Scharff IV - VI 3' Quinte 2' Waldflöte 8' Trompete 3' Nasat 1' Sifflöte 8' Vox Humana 2' Oktave Terzian II 4' Schalmei 2' Gemshorn Sesquialtera II Mixtur VIII Scharff VI Zimbel III 8' Dulcian 16' Trompete BRUSTWERK PEDAL 8' Gedackt 16' Prinzipal 4' Blockflöte 8' Oktave 2' Prinzipal 4' Oktave 1 1/3' Quinte Rauschpfeife II Scharff IV Mixtur VIII 8' Regal 16' Posaune 8' Trompete 4' Trompete 2' Cornett
Item No. 42 UPPSALA, CATHEDRAL Hans Heinrich Cahman - 1698 (destroyed by fire 1702) HUVUDVERK RYGGPOSITIV BROSTVERK 16' Principal 16' Quintadena 8' Gedackt 16' Borduna 8' Principal 4' Principal 8' Octava 8' Quintadena 4' Gedackt 8' Gedackt 8' Spetsflöit 2' Octava 8' Salicional 4' Octava 2' Gemshorn 5 1/3' Quinta 2 2/3' Quinta 1' Waldflöit 4' Octava 2' Octava Sesquialtera II 4' Rorflöit 2' Decima Scharff III 2 2/3' Nasat Mixtur IV 8' Dulcian 2' Octava Cymbel II 4' Skalmeia Mixtur IV 8' Trumpet Scharff III 16' Trumpet 8' Trumpet PEDAL 32' Principal 16' Principal 16' Untersatz 8' Octava 8' Gedackt 5 1/3' Quinta 4' Octava 2' Octava Rauschpfeife II Mixtur IV 32' Basun 16' Basun 8' Trumpet 4' Skalmeja 2' Cornet
Item No. 43 KØBENHAVN, HOLMENS KIRKE Lambert Daniel Kastens - 1740 HOVEDVAERK RYG-POSITIV BRYST-POSITIV 16' Principal 8' Principal 8' Gedackt 16' Qvintadena 8' Gedackt 4' Fløite 8' Spitz-fløite 4' Octav 2' Octava 4' Octava 4' Spitz-Fløite 2' Wald-Fløite 4' Spitz-Fløite 2 2/3' Nasat 1 1/3' Sie-Fløite 2 2/3' Nasat 2' Octav 1' Decima 2' Octava 1 1/3' Sif-Fløit Tertiana II Rausch-Pibe II Sesquialtera II Scharff III Mixtur IV - V Scharff IV 8' Krumhorn Cimbel III 8' Trompet 16' Trompet 8' Vox Humana PEDAL 16' Principal 16' Subbass 10 2/3' Røhrquint 8' Octav 4' Octav 2' Nachthorn Rausch-Pibe II Mixtur VI 16' Basun 8' Trompet 4' Trompet 2' Cornet
Item No. 44 THE TONAL DESIGN SYSTEM OF ANDREAS SILBERMANN ADAPTED BY LAWRENCE I. PHELPS FROM A STUDY BY JOSEPH WORSCHING Andreas Silbermann was active as an organ builder from about 1700 to 1734. In his best and most typical work, the elements are: a narrow-scaled Positiv, a medium-scaled Hauptwerk, a Recit or, occasionally, an Oberwerk of narrow scaling, and, in addition to these, a Pedal. The following are the various groupings of divisions found in a complete study of the organs of Andreas Silbermann: 1. Positiv 2. Positiv - Pedal 3. Hauptwerk - Pedal 4. Rückpositiv - Hauptwerk - Pedal 5. Rückpositiv - Hauptwerk - Recit/Echo - Pedal 6. Hauptwerk - oberwerk - Pedal 7. Rückpositiv - Oberwerk - Hauptwerk - Pedal The development of the stop-list for the disposition was according to the following order: I- POSITIV II- HAUPTWERK IV- PEDAL (d) X Bourdon 8' XX Bourdon 8' Subbass 16' (e) X Prestant 4. (a) XX Prestant 4' Octave basse 8' (f) X Nazard 2 2/3' XX Nazard 2 2/3' Trompette 8' X Doublette 2' XX Doublette 2' Bombarde 16' Fourniture III XX Cornet V Prestant 4' Tierce 13/5' (b) XX Fourniture IV or V Clairon 4' Cromorne 8' (c) XX Cimbale III or II Principal 16' (g) Flöte 4' Tierce 1 3/5' Fourniture IV (h) Montre 8' Montre 8' (or) Cornetto 2' (j) Larigot 1 1/3' Bourdon 16' Voix Humaine 8' Trompette 8' Clairon 4' III- RECIT - ECHO - OBERWERK Most often a single Cornet V from middle C up. Used primarily as a “Solowerk”'. In larger instruments, a reed voice is used in addition. When an Oberwerk is used, the division has a disposition like a Positiv and is, in general, handled in the same way. Notes: X - Basic four-stop Positiv. XX- Basic seven-stop Hauptwerk. (a) Later Flöte 4' (b) Later Trompette 8' (c) If not used, then Voix Humaine 8' (d) Andreas Silbermann always included all the semitones in the Pedal. Pedal compass for small organs was one to one and a half Octave, for large organs, two Octaves (25 keys). (e) Stopped or open (f) Always open (g) Usually wood. When present, 16' Subbass always stopped (h) Seldom used (j) A reed While there are a few exceptions to this system, in the largest instruments, the Positif was usually completed with 10 stops and the Hauptwerk with 13 stops. The Pedal seldom exceeded the first 6 stops on the above list.
Item No. 45 GÖRLITZ, ST. PETER AND PAUL Eugen Casparini - 1703 HAUPTWERK OBERWERK BRUSTWERK 16' Prinzipal 16' Quintaden 8' Gedackt 8' Prinzipal 8' Prinzipal 4' Prinzipal 8' Vox Humana 8' Ondamaris 2' Octave 8' Viola di Gamba 4' Octave 2' Plockflöte 5 1/3' Rohrquinte 4' Gedeckte Fleut 1 1/3' Nasat 4' Superoctave 2 2/3' Spitzflöt 1' Sedecima 4' Salicet 2' Sedecima Scharf-Mixtur II 4' Offene Flöte 2' Glöcklein-Thon 8' Hautbois 4' Gedacktpommer 1 1/3' Super-Sedecima 2 2/3' Decima nona 5 1/3' Cornette III 2' Plockflöt Scharf II 2 2/3' Zink II Cymbel II Rauschpfeife II Mixtur III 16' Bombart PEDAL 32' Gross Prinzipal 16' Octave 16' Quintaden 16' Bordun 8' Quintaden 8' Tubalflöt 8' Gemshorn 5 1/3' Gross Quinte 4' Tubalflöte 4' Jubal 4' Super-Octave 1 1/3' Bauernflöte II 1 1/3' Helle Cymbel II Scharf II Mixtur XII Mixtur V 16' Posaune 16' Fagotti 8' Krummhorn 8' Tromba 4' Jungfernregal
Item No. 46 FREIBERG, DOMKIRCHE Gottfried Silbermann - 1710 HAUPTWERK OBERWERK BRUSTWERK 16' Bordun 16' Quintatön 8' Gedackt 8' Principal 8' Principal 4' Principal 8' Viola di Gamba 8' Gedackt 4' Rohrflöte 8' Rohrflöte 4' Octave 2 2/3' Nazard 4' Octave 4' Spitzflöte 2' Octave 2 2/3' Quinte 2' Octave 1 3/5' Terz 2' Octave 1' Flageolet 1 1/3' Quinte 1 3/5' Terz Echo-Cornet V 1' Sifflöte Cornet V Mixtur III Mixtur III Mixtur IV Cymbel II Cymbel III 8' Krummhorn 8' Trompete 8' Vox Humana PEDAL 32' Untersatz 16' Principal 16' Subbas 8' Octavbass 4' Octavbass Mixtur VI 16' Posaune 8' Trompete 4' Clairon
Item No. 47 DRESDEN, HOFKIRCHE Gottfried Silbermann - 1754 HAUPTWERK OBERWERK BRUSTWERK PEDAL 16' Principal 16' Quintaden 8' Gedackt 32' Untersatz 16' Bordun 8' Principal 4' Principal 16' Principalbass 8' Principal 8' Gedackt 4' Rohrflöte 8' Octavbass 8' Rohrflöte 8' Quintaden 3' Nasat 4' Octavbass 8' Viol de Gamba 8' Unda Maris 2' Octave Mixturbass VI 4' Octave 4' Octave 1 1/2' Quinta 16' Posaunenbass 4' Spitzflöte 4' Rohrflöte 1' Sifflöte 8' Trompetenbass 3' Quinte 3' Nasat Sesquialtera II 4' Clarinbass 2' Octave 2' Octava Mixtur III 1 3/5' Terz 1 3/5' Terz 8' Chalumeau Cornet V 1' Flageolet Mixtur IV Mixtur IV Cimbel III Echo Mixtur V 16' Fagott 8' Vox Humana 8' Trompete
Item No. 48 COMPARISON OF FIVE TWO-MANUAL ORGANS Gottfried Silbermann - 1718-1741 ST.JACOBI ST.GEORGIEN LANGHENNERS- FORCHHEIM GROSSHARTMANNS Freiberg-1718 Rotha - 1721 DORF - 1721 1726 DORF - 1741 HAUPTWERK HAUPTWERK HAUPTWERK HAUPTWERK HAUPTWERK Bordun 16' Bordun 16' Principal 8' Principal 8' Principal 8' Principal 8' Principal 8' Quintaton 8' Quintaton 8' Quintaton 8' Quintaton 8' Rohrflöte 8' Rohrflöte 8' Rohrflöte 8' Rohrflöte 8' Rohrflöte 8' Octave 4' Octave 4' Octave 4' Octave 4' Octave 4' Spitzflöte 4' Spitzflöte 4' Spitzflöte 4' Spitzflöte 4' Spitzflöte 4' Quinte 2 2/3' Quinte 2 2/3' Quinte 2 2/3' Quinte 2 2/3' Quinte 2 2/3' Octave 2' Octave 2' Octave 2' Octave 2' Octave 2' Cornet III Cornet III Cornet III Cornet III Mixtur III Mixtur III Mixtur III Mixtur IV Mixtur IV Cymbel II Cymbel II OBERWERK OBERWERK OBERWERK OBERWERK OBERWERK Gedackt 8' Gedackt 8' Gedackt 8' Gedackt 8' Gedackt 8' Quintaton 8' Principal 4' Principal 4' Rohrflöte 4' Rohrflöte 4' Rohrflöte 4' Rohrflöte 4' Rohrflöte 4' Nazard 2 2/3' Nazard 2 2/3' Nazard 2 2/3' Nazard 2 2/3' Nazard 2 2/3' Octave 2' Octave 2' Octave 2' Octave 2' Octave 2' Gemshorn 2' Waldflöte 2' Terz 1 3/5' Terz 1 3/5' Terz 1 3/5' Terz 1 3/5' Quinte 1 1/3' Quinte 1 1/3' Quinte 1 1/3' Quinte 1 1/3' Sifflöte 1' Sifflöte 1' Sifflöte 1' Sifflöte 1' Sifflöte 1' Mixtur III Cymbel II Cymbel II Cymbel II Cymbel II PEDAL PEDAL PEDAL PEDAL PEDAL Principal 16' Principal 16' Subbas 16' Subbas 16' Subbas 16' Octave 8' Octave 8' Posaune 16' Posaune 16' Posaune 16' Posaune 16' Posaune 16' Trompete 8' Trompete 8' Trompete 8'
Item No. 49 HAMBURG, ST. MICHAEL Johann Gottfried Hildebrand - 1768 HAUPTWERK OBERWERK BRUSTWERK 16' Principal 16' Bordun 16' Rohrflöte 16' Quintatön 8' Principal 8' Principal 8' Octave 8' Unda maris 8' Flötetraversière 8' Gemshorn 8' Spitzflöte 8' Kleingedackt 8' Viola di Gamba 8' Quintatön 8' Rohrflöte 8' Gedackt 4' Octave 4' Octave 5 1/3' Quinte 4' Spitzflöte 4' Rohrflöte 4' Octave 2 2/3' Quinte 2 2/3' Nasat 4' Gemshorn 2' Octave 2' Octave 2 2/3' Quinte Rauschpfeife II 1 3/5' Terz 2' Octave Echo-Cornett III 1 1/3' Quinte Sesquialtera II Cymbel V 1' Sifflet Cornett V 8' Trompete Rauschpfeife II-III Mixtur VIII 8' Vox Humana Cymbel V Scharff V 8' Chalumeaux 16' Trompete 8' Trompete PEDAL 32' Principal 32' Subbass 16' Principal 16' Subbass 10 2/3' Rohrquinte 8' Octave 5 1/3' Quinte 4' Octave Mixtur X 32' Posaune 16' Posaune 16' Fagott 8' Trompete 4' Clairon
Item No. 50 ULM, MONASTERY IN NERESHEIM Johan Neopmuk Holzbey - 1792 MANUAL I MANUAL II MANUAL III 32' Bordun 8' Principal 8' Nachthorn 16' Principal 8' Feldflöte 8' Dulciano 8' Octave 8' Gamba 4' Fugara 8' Piffaro 8' Salicional 4' Spitzflöte 8' Violoncel 8' Unda Maris 2' Flöte 8' Quintatön 8' Bordun Hornle III 8' Coppel 4' Flauta travers 8' Vox Humana 4' Octave 4' Hohlflöte 4' Gedacktflöte 2' Flageolet 2 2/3' Quinte Nazard III 2' Octave Sexquialter V PEDAL Cornet VI Sonnet II Mixtur VI 8' Duce Clarinet 16' Principal Cimbel VI 8' Hoboi 16' Subbas 8' Trompete 8' Flaute 8' Krummhorn 8' Violonbas 4' Clairon 4' Flöte 16' Bombard 8' Trompete 4' Clairon
Item No. 51 MUNCHEN, ST. PETERS PARISH CHURCH Abbé Georg Joseph Vogler - 1800 MANUAL I MANUAL III PEDAL 16' Principal 16' Posaune 32' Fundamentalbass 8' Principal 16' Contrafagotto 16' Principal 5 1/3' Nasat 8' Krummhorn 16' Violonbass 3 1/5' Terz 4' Trompet 10 2/3' Gross Nasat 2' Principal 8' Principal 1 1/3' Quint MANUAL IV 8' Violoncello 8' Flautone MANUAL II 16' Theorbe 5 1/3' Klein Nasat 8' Viola di Gamba 4' Flûte à bec 16' Principal 32' Bombarde 10 2/3' Gross Nasat MANUAL V 16' Serpent 4' Principal 8' Bassethorn 3 1/5' Terz 8' Flauto 4' Clarinet 2 2/3' Carillon II 4' Gemshorn 1' Principal
Item No. 52 BRAUNSCHWEIG, ST. ANDREAS KIRCHE Friedrich Ladegast - 1883 HAUPTWERK POSITIV SCHWELLKLAVIER 16' Principal 16' Quintatön 16' Gedackt 16' Bordun 8' Geigenprincipal 8' Viola d'amour 8' Principal 8' Rohrflöte 8' Flaut travers 8' Doppelgedackt 8' Flûte harmonique 8' Salicional 8' Flöte 8' Viola 8' Gedackt 8' Gambe 4' Fugara 4' Flaut amabile 6' Nasat 4' Flautminor 4' Salicional 4' Oktave 3' Nasat 2' Piccolo 4' Rohrflöte 2' Waldflöte Harm. aether. III 4' Gemshorn 2' Progressiv IV 8' Aeoline 2 2/3' Doublette 16' Aeoline Cornet III - V 8' Oboe Mixtur IV - V Cymbel III 16' Tuba 8' Trompete PEDAL 32' Untersatz 16' Principalbass 16' Flötenbass 16' Subbass 8' Principal 8' Bassflöte 8' Cello 4' Octave 6' Quinte 16' Posaune 8' Trompete 4' Clarine
Item No. 53 LEIPZIG, PETERSKIRCHE Wilhelm Sauer - 1889 HAUPTWERK POSITIV SCHWELLWERK 16' Principal 16' Salicional 16' Viola di Gamba 16' Bordun 16' Bordun 16' Lieblich Gedackt 8' Principal 8' Principal 8' Principal 8' Gedackt 8' Rohrflöte 8' Gedackt 8' Flûte harmonique 8' Quintatoen 8' Konzertflöte 8' Gemshorn 8' Salicional 8' Aeoline 8' Viola di Gamba 8' Harmonika 8' Voix céleste 5 1/3' Nasard 4' Octave 4' Fugara 4' Octave 4' Flûte douce 4' Traversflöte 4' Rohrflöte 2 2/3' Quinte 2 2/3' Gemshorn-Quinte 4' Gemshorn 2' Octave 2' Flautino 2 2/3' Quinte Cornett III 8' Oboe 2' Octave Mixtur IV 8' Vox Humana Cornet II - V 8' Clarinett Mixtur III Scharf V 16' Bombarde 8' Trompete PEDAL 32' Majorbass 16' Principal 16' Subbass 16' Violon 16' Lieblich 8' Principal 8' Bassflöte 8' Violoncello 8' Quintatoen 8' Dulciana 4' Octave 10 2/3' Gross Nassard 16' Posaune 16' Fagott 8' Trompete 4' Clarino
Item No. 54 FRANKFURT a.M., PETERSKIRCHE 1895 (Schwellwerk) MANUAL I MANUAL II MANUAL III 16' Principal 16' Bourdon 8' Geigenprincipal 8' Principal 8' Principal 8' Gedeckt 8' Viola di Gamba 8' Lieblich Gedackt 8' Aeoline 8' Doppelflöte 8' Salicional 8' Voix céleste 8' Gedeckt 8' Konzertflöte 4' Gedecktflöte 8' Gemshorn 4' Fugara 4' Flauto dolce 8' Quintatön 4' Hohlflöte X 8' Solo-Gamba 4' Octav 4' Traversflöte X 8' Solo-Prinzipal-fløte 4' Rohrflöte 8' Klarinette 4' Spitzflöte 2' Octav Kornett IV - V PEDAL 2 2/3' Mixtur V 8' Trompete 16' Principalbass 16' Violonbass 16' Subbass 8' Octavbass 8' Violoncello 16' Posaunenbass X - on high pressure
Item No. 55 BERLIN 1909 MANUAL I MANUAL II PEDAL X 8' Principal X 8' Seraphon-Gedackt X 16' Fundamentalbass 8' Seraphon-Gamba 8' Flöte X 16' Principalbass 8' Gedackt 8' Salicional 16' Subbass 4' Oktav X 8' Tuba Mirabilis Orchestral-celeste Forte Orchestral-celeste Piano X - on high pressure
Item No. 56 OHIO 1915 GREAT (enclosed) SWELL (enclosed) CHOIR (enclosed) X 8' Open Diapason 16' Bourdon 8' Concert Flûte 8' Gross Flûte 8' Open Diapason 8' Dulciana 8' Violin Diapason 8' Stopped Diapason 4' Harmonic Flûte 8' Erzähler 8' Rohr Flûte 8' Clarinet 4' Flûte 8' Salicional Harp 8' Tuba 8' Celeste Tremulant Harp 8' Aeoline 8' Cornopean 8' Oboe Tremulant ECHO (enclased) PEDAL (enclosed) 8' Chimney Flûte X 16' Open Diapason 8' Viole d' Orchestre 16' Bourdon 4' Flûte d'Amour 16' Lieblich Gedackt 8' Vox Humana 8' Flûte Dolce Chimes 16' Tuba Mirabilis Tremulant X - unenclosed
Item No. 57 PARIS, ST-DENIS Aristide Cavaillé-Coll - 1841 POSITIF GRAND ORGUE BOMBARDE 16' Bourdon 32' Montre 16' Bourdon 8' Bourdon 16' Montre 8' Bourdon 8' Salicional 16' Bourdon 8' Flûte 8' Flûte harmonique 8' Montre 4' Prestant 4' Prestant 8' Viole 2 2/3' Nasard or Quinte 4' Flûte 8' Bourdon 2' Doublette 4' Flûte Octaviante 8' Flûte trav. harm. Grand Cornet VII 2 2/3' Nasard or Quinte 4' Flûte Octaviante harm. 16' Bombarde 2' Doublette 4' Prestant 8' 1e Trompette de Bombarde 2' Flageolet harmonique 2 2/3' Nasard or Quinte 8' 2e Trompette harmonique 1 3/5' Tierce 2' Doublette 4' 1er Clairon harmonique Cymbale IV Grosse Fourniture IV 4' 2e Clairon octaviant Fourniture IV Grosse Cymbale IV 8' Trompette harmonique Fourniture IV 8' Cor d'harmonie et Hautbois Cymbale IV 8' Cromorne 8' 1ère Trompette harmonique 4' Clairon Octaviant 8' 2ième Trompette harmonique 8' Basson et Cor anglais 8' Cornet à pavillon 4' Clairon Octaviant RECIT PEDALE 8' Bourdon 32' Flûte ouverte 8' Flûte harmonique 16' Flûte ouverte 4' Flûte Octaviante harmonique 16' Basse-contre 2 2/3' Quinte 8' Flûte ouverte 2' Octavin harmonique 4' Flûte ouverte 8' Trompette harmonique 5 1/3' Gros Nasard 8' Voix Humaine harmonique 16' Bombarde 4' Clairon harmonique 8' 1ère Trompette 8' 2ième Trompette 8' Basson 4' ler clairon 4' 2ième Clairon
Item No. 58 PARIS, ST-SULPICE Aristide Cavaillé-Coll - 1862 GRAND-CHOEUR GRAND-ORGUE POSITIF 4' Octave 16' Principal 16' Violon-basse 2' Doublette 16' Montre 16' Quintaton Grosse Fourniture IV 16' Bourdon 8' Quintaton Grosse Cymbale VI 16' Flûte conique 8' Flûte traversière Plein Jeu IV 8' Montre 8' Salicional Cornet V 8' Diapason 8' Gambe 16' Bombarde 8' Salicional 8' Unda maris 16' Basson 8' Flûte harmonique 4' Flûte octaviante 8' 1ère Trompette 8' Flûte traversière 4' Flûte douce 8' 2ième Trompette 8' Flûte à pavillon 4' Dulciane 8' Basson 8' Bourdon 2 2/3' Quinte 4' Clairon 5 1/3' Grosse Quinte 2' Doublette 2' Clairon-Doublette 4' Prestant 1 3/5' Tierce 1 1/3' Larigot RECIT (enclosed) SOLO 1' Piccolo Plein Jeu III - V 16' Quintaton 16' Bourdon 16' Basson 8' Diapason 16' Flûte conique 8' Baryton 8' Violoncelle 8' Principal 8' Trompette 8' Bourdon 8' Flûte harmonique 4' Clairon 8' Voix céleste 8' Viola da Gamba 8' Flûte harmonique 8' Bourdon PEDALE 4' Flûte Octaviante 8' Violoncelle 4' Prestant 8' Kéraulophon 32' Principal-basse 4' Dulciana 4' Flûte Octaviante 16' Contrebasse 2/3' Nazard 4' Prestant 16' Soubasse 2' Doublette 5 1/3' Grosse Quinte 8' Flûte 2' Octavin 4' Octave 8' Violoncelle Fourniture IV 3 1/5' Grosse Tierce 4' Flûte Cymbale V 2 2/3' Quinte 32' Contre Bombarde Cornet V 2 2/7' Septième 16' Bombarde 16' Bombarde 2' Octavin 16' Ophicléide 8' Trompette Cornet V 16' Basson 8' Basson-Hautbois 16' Bombarde 8' Trompette 8' Cromorne 8' Trompette 4' Clairon 8' Voix Humaine 4' Clairon 4' Clairon 8' Trompette harmonique (en chamade)
Item No. 59 PARIS, NOTRE-DAME Aristide Cavaille-Coll - 1868 GRAND CHOEUR GRAND ORGUE BOMBARDE 8' Principal 16' Violon-basse 16' Principal-basse 8' Bourdon 16' Bourdon 16' Sous-basse 4' Prestant 8' Montre 8' Principal 2 2/3' Quinte 8' Flûte harmonique 8' Flûte harmonique 2' Doublette 8' Viole de gambe 5 1/3' Grosse quinte 1 3/5' Tierce 8' Bourdon 4' Octave 1 1/3' Larigot 4' Prestant 3 1/5' Grosse tierce 1 1/7' Septième 4' Octave 2 2/3' Quinte 1' Piccolo 2' Doublette 2 2/7' Septième 16' Tuba Magna Fourniture II - V 2' Doublette 8' Trompette Cymbale II - V Cornet II - V 4' Clairon 16' Basson 16' Bombarde 8' Basson-Hautbois 8' Trompette 4' Clairon 4' Clairon POSITIF RECIT (enclosed) PEDALE 16' Montre 16' Quintaton 32' Principal-basse 16' Bourdon 8' Diapason 16' Contrebasse 8' Flûte harmonique 8' Viole de gambe 16' Sousbasse 8' Salicional 8' Voix céleste 10 2/3' Grosse quinte 8' Bourdon 4' Flûte harmonique 8' Flûte 8' Unda Maris 4' Flûte Octaviante 8' Violoncelle 4' Prestant 4' Prestant 6 2/5' Grosse tierce 4' Flûte douce 2 2/3' Quinte 5 1/3' Quinte 2' Doublette 2' Octavin 4 4/7' Septième 1' Piccolo Plein-jeu IV - VII 4' Octave Plein-jeu III - VI Cornet III - V 32' Contre Bombarde 16' Clarinette-basse 16' Bombarde 16' Bombarde 8' Cromorne 8' Trompette 16' Basson 4' Clarinette aiguë 8' Basson-Hautbois 8' Trompette 8' Voix Humaine 8' Basson 4' Clairon 4' Clairon
Item No. 60 PARIS, EGLISE DE LA MADELEINE Aristide Cavaillé-Coll - 1846 GRAND ORGUE BOMBARDE POSITIF 16' Montre 16' Soubasse 8' Montre 16' Violon-basse 8' Basse 8' Viole de gambe 8' Montre 8' Flûte harmonique 8' Flûte douce 8' Bourdon 8' Flûte traversière 8' Voix céleste 8' Salicional 4' Flûte Octaviante 4' Prestant 8' Flûte harmonique 2' Octavin 4' Dulciane 4' Prestant 16' Bombarde 2' Octavin 2' Quinte 8' Trompette harmonique 8' Trompette 2' Doublette 8' 2ième Trompette 8' Basson-Hautbois Plein-jeu X 4' Clairon 4' Clairon 8' Trompette I 8' Cor anglais RECIT (enclosed) PEDALE 8' Flûte harmonique 32' Quintaton 8' Bourdon 16' Contrebasse 8' Musette 16' Basse contre 4' Flûte Octaviante 8' Violoncelle 2' Octavin 8' Grosse Flûte 8' Voix Humaine 16' Bombarde 8' Trompette harmonique 8' Trompette 4' Clairon harmonique 4' Clairon
Item No. 61 PARIS, EGLISE DE SAINTE-CLOTHILDE Aristide Cavaillé-Coll GRAND ORGUE POSITIF RECIT (enclosed) 16' Montre 16' Bourdon 8' Viole de gambe 16' Bourdon 8' Montre 8' Flûte harmonique 8' Montre 8' Flûte harmonique 8' Bourdon 8' Flûte harmonique 8' Bourdon 8' Voix céleste 8' Bourdon 8' Gambe 4' Flûte Octaviante 8' Gambe 8' Salicional 2' Octavin 4' Prestant 4' Prestant 8' Trompette 4' Octave 4' Flûte Octaviante 8' Basson-Hautbois 2 2/3' Quinte 2 2/3' Quinte 8' Voix Humaine 2' Doublette 2' Doublette 4' Clairon Plein-jeu 8' Trompette 16' Bombarde 4' Clairon PEDALE 8' Trompette 8' Clarinette 32' Quintaton 4' Clairon 16' Contrebasse 8' Flûte 4' Octave 16' Bombarde 16' Basson 8' Trompette 4' Clairon
Item No. 62 MODERN FRENCH ROMANTIC ORGAN (smallest comprehensive design) GRAND ORGUE RECIT (enclosed) POSITIF 16' Montre 16' Bourdon 16' Quintaton 8' Montre 8' Principal étroit 8' Montre 8' Bourdon 8' Flûte harmonique 8' Bourdon 8' Flûte harmonique 8' Viole de gambe 8' Salicional 4' Prestant 8' Voix céleste 4' Prestant 4' Flûte à cheminée 4' Octave 4' Flûte conique 2/3' Quinte 4' Flûte ouverte 2 2/3' Nasard 2' Doublette 2' Octavin 2' Flûte à bec 8' Cornet V 2' Plein Jeu IV 1 3/5' Tierce 1/3' Fourniture IV 1' Cymbale IV 1 1/3' Larigot 2/3' Cymbale IV 16' Basson 1' Sifflet 16' Bombarde 8' Trompette 1' Fourniture IV 8' Trompette 8' Hautbois 1/2' Cymbale III 4' Clairon 8' Voix Humaine 8' Cromorne 4' Clairon Trémolo PEDALE 16' Principal 16' Soubasse 16' Quintaton 8' Octave 8' Bourdon 4' Octave 4' Flûte ouverte 2 2/3' Fourniture 32' Bombardon 16' Bombarde 8' Trompette 4' Clairon 4' Hautbois
Item No. 63 MODERN FRENCH ROMANTIC ORGAN (complete design) GRAND ORGUE POSITIF RECIT (enclosed) 16' Montre 16' Quintaton 16' Bourdon doux 16' Bourdon 8' Montre 8' Diapason étroit 8' Montre 8' Bourdon 8' Flûte harmonique 8' Flûte harmonique 8' Salicional 8' Flûte à cheminée 8' Gambe 8' Unda Maris II 8' Viole de gambe 8' Bourdon 4' Prestant 8' Voix céleste 4' Prestant 4' Flûte à fuseau 4' Prestant 4' Flûte à cheminée 2 2/3' Nasard 4' Flûte Octaviante 2 2/3' Quinte 2' Doublette 2' Octavin 2' Doublette 2' Quarte de nasard 8' Cornet V (mid. C) 2' Flûte à bec 1 3/5' Tierce 2' Fourniture IV 8' Cornet V 1 1/3' Larigot 1' Cymbale IV 2 2/3' Fourniture IV 1' Sifflet 16' Basson 1 1/3' Cymbale IV 1' Fourniture IV 8' Trompette 16' Bombarde 1/2' Cymbale IV 8' Hautbois 8' Trompette 8' Trompette 8' Voix Humaine 4' Clairon 8' Cromorne 4' Clairon 4' Clairon Trémolo PEDALE 32' Quintaton 16' Contrebasse 16' Violon 16' Soubasse 16' Quintaton 10 2/3' Quinte 8' Prestant 8' Bourdon 8' Violoncello 5 1/3' Quinte 4' Octave 4' Flûte ouverte 2' Flûte à cheminée 4' Fourniture III 1 1/3' Cymbale IV 32' Bombardon 16' Bombarde 16' Basson 8' Trompette 8' Chalumeau 4' Clairon 4' Cor anglais
Item No 64 MODERN FRENCH ROMANTIC ORGAN (monumental design) GRAND ORGUE RECIT (enclosed) POSITIF 16' Quintaton 16' Bourdon 8' Montre 8' Montre 8' Principal étroit 8' Bourdon 8' Bourdon 8' Flûte harmonique 8' Quintaton 8' Flûte conique 8' Flûte à cheminée 4' Octave 4' Octave 8' Viole de gambe 4' Flûte à fuseau 4' Flûte à cheminée 8' Voix céleste 2 2/3' Nasard 2 2/3' Quinte 8' Flûte douce céleste II 2' Doublette 2' Octave 4' Octave 2' Flûte des bois 2' Flûte à bec 4' Flûte ouverte 1 3/5' Tierce 1 1/3' Octave quinte 4' Flûte conique 1 1/3' Larigot 2 2/3' Sesquialtera II 2 2/3' Nasard 1' Sifflet 1 1/3' Fourniture IV 2' Octavin 1' Fourniture VI 2/3' Cymbale IV 1 3/5' Tierce 1/4' Cymbale aiguë 16' Basson 2 2/3' Plein Jeu VI 8' Cornet V (2nd C) 8' Trompette 1 1/3' Petite Fourmture III 16' Saqueboute 4' Clairon 2/3' Cymbale IV 8' Cromorne 16' Bombarde 4' Regale 8' Trompette 8' Hautbois 8' Voix Humaine 4' Clairon Tremulant GRAND CHOEUR BOMBARDE 32' Quintaton 8' Montre 16' Montre 4' Prestant 8' Prestant 2 2/3' Grande Fourniture VI 8' Flûte creuse 1/2' Cymbale IV 4' Octave 8' Cornet V (2nd C) 4' Flûte Octaviante 2' Harmoniques VIII 2 2/3' Fourniture IV 8' Cor anglais 1' Cymbale IV 16' Bombarde (en chamade) 2 2/3' Cornet IV - VI 8' Trompette (en chamade) 5 1/3' Harmoniques VIII 4' Clairon (en chamade) 16' Bombarde 8' Trompette PEDALE 32' Principal 2' Principal italien 32' Soubasse 5 1/3' Plein Jeu VI 16' Basse ouverte 4' Fourniture III 16' contrebasse 2' Petite Fourniture IV 16' Bourdon 1 1/3' Cymbale IV 16' Violon 5 1/3' Harmoniques graves VI 16' Flûte conique 32' Contre bombarde 16' Quintaton 16' Bombarde 10 2/3' Grosse quinte 16' Ophicléide 8' Octave basse 16' Basson 8' Flûte couverte 8' 1ère Trompette 8' Violoncelle 8' 2ième Trompette 8' Cor de chamois 8' Hautbois 6 2/5' Grosse tierce 4' ler Clairon 4' Basse de choral 4' 2ième Clairon 4' Flûte ouverte 4' Chalumeau 4' Flûte douce 2' Cornetto
Item No. 65 MODERN FRENCH CLASSIC ORGAN (complete comprehensive design) GRAND ORGUE RECIT POSITIF 16' Quintaton 8' Bourdon 8' Bourdon 8' Montre 4' Prestant 4' Prestant 8' Bourdon 2 2/3' Cornet III 4' Flûte 4' Prestant 8' Trompette 2 2/3' Nasard 4' Flûte 2' Doublette 2 2/3' Nasard PEDAL 1 3/5' Tierce 2' Doublette 1 1/3' Larigot 2' Quarte de nasard 16' Montre 1' Fourniture IV 1 3/5' Tierce 16' Subbass 1/3' Cymbale III 8' Cornet V (2nd C) 8' Octavebasse 8' Cromorne 1 1/3' Fourniture IV 4' Prestant 2/3' Cymbale III 2' Flûte 8' Trompette 2' Fournlture IV 8' Voix Humaine 16' Bombarde 4' Clairon 8' Trompette 4' Clairon
Item No. 66 MODERN WERK PRINCIPLE ORGAN (smallest practical design) MANUAL I MANUAL II PEDAL 8' Rohrflöte 8' Gedackt 16' Subbass 2' Prinzipal 4' Spitzflöte 4' Choralbass 1/4' Zimbel II (or) 1' Sifflöte
Item No. 67 MODERN WERK PRINCIPLE ORGAN (smallest design of reasonable scope) MANUAL I MANUAL II PEDAL 8' Rohrflöte 8' Gedackt 16' Subbass 4' Prinzipal 4' Spitzflöte 4' Choralbass 2' Flachflöte 2' Prinzipal 1' Mixtur IV 1 1/3' Nasat
Item No. 68 MODERN WERK PRINCIPLE ORGAN (smallest comprehensive design) HAUPTWERK BRUSTWERK PEDAL 8' Rohrflöte 8' Gedackt 16' Subbass 4' Prinzipal 4' Spitzflöte 8' Prinzipal 2' Flachflöte 2' Prinzipal 4' Choralbass 1' Mixtur IV 1 1/3' Quinte 16' Fagott 8' Schalmei 1/4' Zimbel II 8' Holzregal
Item No. 69 MODERN WERK PRINCIPLE ORGAN (complete two-manual design) HAUPTWERK BRUSTWERK PEDAL 16' Quintadena 8' Gedackt 16' Subbass 8' Prinzipal 4' Spitzflöte 8' Prinzipal 8' Rohrflöte 2' Prinzipal 4' Choralbass 4' Oktave 1 1/3' Quinte 2' Nachthorn 4' Waldflöte 1' Sifflöte 2' Mixtur IV 2' Flachflöte 2 2/3' Sesquialtera II 16' Fagott 1' Mixtur IV 1/4' Zimbel II 4' Schalmei 8' Trompette 8' Holzregal Tremulant
Item No. 70 MODERN WERK PRINCIPLE ORGAN (maximum two-manual design) HAUPTWERK POSITIV PEDAL 16' Quintade 8' Gedackt 16' Prinzipal 8' Prinzipal 8' Quintadena 16' Subbass 8' Rohrflöte 4' Prinzipal 8' Oktave 4' Oktave 4' Spillflöte 8' Pommergedackt 4' Spitzflöte 2' Oktave 4' Oktave 2 2/3' Nasat 2' Blockflöte 4' Rohrpfeife 2' Oktave 1 1/3' Quintflöte 2' Nachthorn 2' Flachflöte 1' Sifflöte 4' Rauschpfeife II 1 1/3' Mixtur V 2 2/3' Sesquialtera II 2' Mixtur VI 1/2' Zimbel III 4/5' Terzian II 16' Posaune 16' Dulzian 2/3' Scharf V 8' Trompete 8' Trompete 1/4' Zimbel II 4' Schalmei 8' Krummhorn 2' Kornett 8' Holzregal
Item No. 71 MODERN WERK PRINCIPLE ORGAN (smallest practical three-manual design) HAUPTWERK POSITIV BRUSTWERK 8' Prinzipal 8' Gedackt 8' Holzgedackt 8' Rohrflöte 4' Prinzipal 4' Spitzflöte 4' Oktave 2' Gemshorn 2' Prinzipal 2' Flachflöte 2/3' Scharf IV 1 1/3' Quintflöte 1 1/3' Mixtur V 8' Krummhorn 1/4' Zimbel II 8' Trompete 8' Regal PEDAL 16' Subbass 8' Spitzprinzipal 4' Oktave 2' Mixtur IV 16' Fagott 4' Schalmei
Item No. 72 MODERN WERK PRINCIPLE DESIGN (moderate three-manual design) HAUPTWERK BRUSTWERK RÜCKPOSITIV 16' Quintatön 8' Gedackt 8' Gedackt 8' Prinzipal 4' Rohrflöte 8' Quintaden 8' Rohrflöte 2' Prinzipal 4' Prinzipal 4' Oktave 1 1/3' Nasat 4' Gedacktflöte 4' Spitzflöte 1/4' Zimbel II 2' Gemshorn 2 2/3' Rohrquinte 8' Regal 1' Oktave 2' Oktave Tremulant 2 2/3' Sesquialtera II 1 1/3' Mixtur V 2/3' Scharf III 8' Trompete 8' Krummhorn Tremulant PEDAL 16' Subbass 8' Oktave 8' Gedackt 4' Oktave 2' Nachthorn 1 1/3' Mixtur III 16' Fagott 4' Schalmei
Item No. 73 MODERN WERK PRINCIPLE ORGAN (large three-manual design) HAUPTWERK POSITIV BRUSTWERK 16' Quintade 8' Metallgedackt 8' Gedackt 8' Prinzipal 8' Quintadena 4' Spitzflöte 8' Rohrflöte 4' Prinzipal 2' Prinzipal 4' Oktave 4' Koppelflöte 2' Waldflöte 4' Flachflöte 2' Oktave 1' Oktave 2 2/3' Quinte 1 1/3' Quintflöte 2/5' Terzian II 2' Oktave 2 2/3' Sesquialtera II 1/4' Zimbel III 2' Blockflöte 2/3' Scharf IV 8' Knopfregal 1 1/3' Mixtur V 16' Dulzian 4' Trichterregal 1/2' Zimbel IV 8' Krummhorn Tremulant 16' Fagott Tremulant 8' Trompete PEDAL 16' Prinzipal 16' Subbass 8' Oktave 8' Pommer Gedackt 4' Oktave 4' Rohrpfeife 2' Nachthorn 4' Rauschpfeife III 2' Mixtur VI 16' Posaune 16' Rankett 8' Trompete 4' Schalmei
Item No. 74 AMERICAN CLASSIC ORGAN - ORIGINAL TYPE (four-manual design) GREAT SWELL POSITIF 16' Sub Principal 16' Flûte conique 8' Rohrflöte 8' Principal 8' Geigen 4' Principal 8' Diapason 8' Gedackt 4' Koppelflöte 8' Flûte harmonique 8' Viole de Gambe 2 2/3' Nazard 8' Flûte dolce 8' Viole céleste 2' Blockflöte 5 1/3' Grosse Quinte 8' Echo Viole 1 3/5' Tierce 4' Octave 4' Octave Geigen 1' Sifflöte 4' Principal 4' Fugara 1 1/3' Scharf IV 3 1/5' Grosse Tierce 4' Flöte trlangulaire 2 2/3' Quint 2 2/3' Nazard 2' Super Octave 2' Fifteenth 1 3/5' Tierce 1 3/5' Tierce PEDAL 2 2/3' Full Mixture IV 2 2/3' Plein Jeu VI 2' Fourniture IV 16' Bombarde 32' Contra Basse 1/2' Cymbal III 8' 1st Trompette 16' Principal 8' 2nd Trompette 16' Contra Basse 8' Vox Humana 16' Bourdon 4' Clairon 16' Flûte conique CHOIR 10 2/3' Grosse Quinte 8' Octave 16' Quintaton 8' Flûte ouverte 8' Viola 8' Cello 8' Orchestral Flûte 8' Gedackt 8' Dulciana 5 1/3' Quint 8' Unda Maris 4' Super Octave 4' Lieblich Flöte 4' Flûte harmonique 2' Zauber Flûte 4' Gedackt 16' English Horn 3 1/5' Mixture III 8' Clarinet 2' Fourniture III 8' Trompette harmonique 16' English Horn 16' Bombarde 8' Trompette 4' Clairon
Item No. 75 AMERICAN CLASSIC ORGAN - MODERN TYPE (three-manual design) GREAT SWELL POSITIF 16' Quintade 8' Salicional 8' Gedackt 8' Principal 8' Salicional céleste 8' Gemshorn 8' Rohrflöte 8' Lieblichflöte 8' Gemshorn céleste 4' Octave 8' Quintadena 4' Principal 4' Spitzflöte 4' Gemshorn 4' Koppelflöte 2 2/3' Quint 4' Nachthorn 2 2/3' Nasat 2' Octave 2' Principal 2' Spitzprincipal 2' Blockflöte 1 1/3' Quintflöte 1' Sifflöte 1 1/3' Mixture IV 2 2/3' Sesquialtera II 1' Scharf IV 2/3' Cymbal IV 1/4' Zimbel III 2/5' Terzian II 8' Trompete 16' Fagott 8' Krummhorn 8' Oboe 4' Regal Tremulant PEDAL 16' Principal 2' Nachthorn 16' Subbass 4' Rauschpfeife III 16' Lieblichgedackt 2' Mixture V 10 2/3' Grossquinte 16' Posaune 8' Octave 16' Rankett 8' Pommer 8' Trompete 4' Octave 4' Schalmei 4' Spitzflöte
Item No. 76 AMERICAN CLASSIC ORGAN - MODERN TYPE (four manual divisions played from a three-manual console) GREAT SWELL CHOIR 16' Quintaton 8' Salicional 8' Nachthorn 8' Principal 8' Salicional céleste 8' Quintadena 8' Bourdon 8' Rohrflöte 8' Erzähler 4' Octave 4' Gemshorn 4' Spitzflöte 4' Rohrgedackt 2' Principal 2' Waldflöte 2 2/3' Nazard 1' Scharf IV 1 1/3' Quintflöte 2' Octave 16' Fagott 1' Sifflöte 2' Blockflöte 8' Oboe 8' Krummhorn 1 1/3' Mixture IV 4' Rohrschalmei 8' Trompete POSITIV PEDAL 8' Gedackt 16' Contrebasse 4' Principal 16' Subbass 4' Koppelflöte 16' Quintaton 2' Spitzoktave 8' Spitzprinzipal 2 2/3' Sesquialtera II 8' Gedacktpommer 1/4' Zimbel III 4' Octave 8' Regal 4' Rohrflöte 2' Nachthorn 2 2/3' Mixture IV 16' Posaune 16' Fagotto 8' Trompete 4' Schalmei
Item No. 77 AMERICAN CLASSIC ORGAN - MODERN TYPE (large four-manual design) GREAT SWELL POSITIV 16' Quintaden 16' Bourdon 8' Gedackt 8' Prinzipal 8' Geigenprinzipal 8' Quintadena 8' Rohrflöte 8' Nachthorn 4' Prinzipal 4' Oktave 8' Viole 4' Koppelflöte 4' Spitzflöte 8' Vox Coelestis 2' Oktave 2 2/3' Quinte 4' Geigenoktave 2' Blockflöte 2' Oktave 4' Hohlflöte 1 1/3' Quintflöte 1 1/3' Mixtur IV 2' Oktavine 1' Sifflöte 2/3' Scharf IV 2' Mixtur VII 2 2/3' Sesquialtera II 16' Bombarde 16' Fagott 1' Scharf V 8' Trompete 8' Trompete 1/4' Zimbel 4' Klarine 4' Klarine 8' Krummhorn CHOIR PEDAL 8' Gedackt 16' Contrebasse 8' Salizional 16' Prinzipal 8' Stillflöte 16' Subbass 8' Flöte céleste 16' Pommer 4' Gemshorn 8' Oktave 4' Lieblichflöte 8' Gedacktflöte 2 2/3' Nasat 4' Choralbass 2' Waldflöte 4' Rohrpfeife 1 3/5' Terz 2' Flachflöte 1' Kleinmixtur III 4' Rauschpfeife IV 16' Dulzian 2' Mixtur VI 8' Oboe 32' Kontra Posaune 4' Rohrschalmei 16' Posaune 16' Rankett 8' Trompete 4' Schalmei